This study explores the impact of Asian philosophy on art between 1945 and 1975, emphasizing the contributions of key figures such as D.T. Suzuki, Chögyam Trungpa, and Thích Nhất Hạnh. It highlights how Western artists, influenced by these philosophies and teachings, sought to transcend traditional modes of expression and integrate non-intellectual experiences into their work. The narrative traces the evolution of artistic practices and philosophies influenced by Asian thought, demonstrating a significant cultural exchange that reshaped the landscape of contemporary art.
“Asian Philosophy: New Dimensions for Art, 1945-1975,” essay for the exhibition at the Fundación Juan March, Madrid: El principio Asia. China, Japón e India y el arte contemporáneo en España (1957-2017), 8 March – 24 June 2018.